Tuesday, 25 February 2025
Monday, 24 February 2025
HER NAME WAS ROBERT
Alexis Arquette (Birth name: Robert Arquette)
Arquette was born in Los Angeles, the fourth of five children of Lewis Arquette, an actor and director, and Brenda Olivia, a Jewish actress, poet, theater operator, activist, acting teacher, and therapist. Actors Rosanna, Richmond, Patricia, and David Arquette were his siblings.
In 2004, Arquette expressed an interest in undergoing gender-transitioning medical treatment. He decided against undergoing hormone therapy and kept his choice of whether he underwent gender-affirming surgery private from the media by the time he completed his transition in 2006. His experience was documented in the film Alexis Arquette: She's My Brother, which debuted at the 2007 Tribeca Film Festival. Arquette was a vocal supporter of other transgender people, including Chaz Bono, who transitioned shortly after Arquette.
Arquette contracted HIV in 1987. In later life, he suffered from ill health as a result of being HIV-positive. Amid these increasing complications, Alexis began presenting again as a man in 2013. Brother David Arquette said that Alexis was "gender suspicious" and alternately felt like a man or a woman at different times. Arquette was placed in a medically induced coma and died on September 11, 2016, surrounded by close family, at the age of 47.
The official cause of death was cardiac arrest caused by myocarditis stemming from HIV - What is HIV? - Be sure to watch for future parallels with COVID injection victims.
Sunday, 23 February 2025
MUSICAL TRUTH 2
Musical Truth 2
| Book 2 goes further and reveals a lot more of how the musical mind programing is being done. |
The manipulations run so deep, however, that the full story couldn’t be told in just that first book. Here, in Volume 2, he continues to guide readers through the dark labyrinth of machinations.
Discover the world of Lifetime Actors and the crucial part they play in social engineering; delve into Heavy Rock, frequently touted as the most ‘satanic’ of all music genres; consider the evidence for the hip-hop scene being a cult-like fraternity on a staggering scale; reflect on the nature of sound itself and the ways it can be used to affect human behaviour; and study the striking parallels between the 1960s counter-culture and the UK’s Acid House scene that kicked off 21 years later, all bearing the hallmarks of Establishment manipulation.
Crucially, Volume 2 reminds readers of how the music industry’s activities form only one small part of what’s really going on in this reality, and how the power to bring it all to an end lies with us and us alone. It always has. We’ve just been programmed to forget.
Saturday, 22 February 2025
CATCH 22
Catch-22 (1961)
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