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Showing posts with label illuminati. Show all posts
Showing posts with label illuminati. Show all posts

Sunday, 29 June 2025

WHY DID RAP MUSIC TURN TO SHIT IN 91?

 

It’s hard to believe now, but back in the 80’s there were several really good rap albums. My own favourite is “Paul’s Boutique” by the Beastie Boys from 1989

Before you say Jews can’t rap (although that is usually pretty accurate), check this out:

The last good rap album I ever heard was “Traction” (1994) by New Zealand band Supergroove.

And before you say Kiwis can’t rap check this out:

Going back to the early days of rap, there were several absolute classics in the 80's such as "The Message"(1982) by Grandmaster Flash, "Fight The Power" (1989) by Public Enemy, and my all time favourite "Paid In Full" (1987) by Eric B & Rakim
 
I’ve long wondered why rap music turned to shit a full 10 years before all other music turned to shit.

And then I read this and everything made sense.

I have no idea who the guy was who wrote this, but that is the point really – if anyone knew who he was he probably would have been suicided…

Yeah, this does all sound like it could be true to me:

“After more than 20 years, I’ve finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music, and ultimately American society.

I have struggled for a long time weighing the pros and cons of making this story public as I was reluctant to implicate the individuals who were present that day.

So I’ve simply decided to leave out names and all the details that may risk my personal well being and that of those who were, like me, dragged into something they weren’t ready for.

Between the late 80’s and early 90’s, I was what you may call a “decision maker” with one of the more established company in the music industry. I came from Europe in the early 80’s and quickly established myself in the business. The industry was different back then.

Since technology and media weren’t accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted.

This may explain why in early 1991, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music’s new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I’ve ever seen.

The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces.

Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future.

Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. Based on their behavior and formal appearances, they didn’t seem to be in our industry.

Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. Needless to say, this intrigued and in some cases disturbed many of us.

The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn’t find anyone who had answers for us.

A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the “unfamiliar” group collected the agreements from us.

Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background.

I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of “decision makers”.

At this point I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement.

He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments.

I remember many of us in the group immediately looking at each other in confusion. At the time, I didn’t know what a private prison was but I wasn’t the only one. Sure enough, someone asked what these prisons were and what any of this had to do with us.

We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we’d be able to buy shares.

Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions. He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled.

Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice. He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as employee, we’d also be able to buy personal stocks in these prisons.

Immediately, silence came over the room. You could have heard a pin drop. I remember looking around to make sure I wasn’t dreaming and saw half of the people with dropped jaws.

My daze was interrupted when someone shouted, “Is this a fucking joke?”

At this point things became chaotic.

Two of the men who were part of the “unfamiliar” group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene. One of them pulled out a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside.

My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting.

I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business and nothing we’d want to challenge without risking consequences.

We all protested and as he walked back into the house I remember word for word the last thing he said, “It’s out of my hands now. Remember you signed an agreement.” He then closed the door behind him. The men rushed us to our cars and actually watched until we drove off.

A million things were going through my mind as I drove away and I eventually decided to pull over and park on a side street in order to collect my thoughts. I replayed everything in my mind repeatedly and it all seemed very surreal to me. I was angry with myself for not having taken a more active role in questioning what had been presented to us.

I’d like to believe the shock of it all is what suspended my better nature. After what seemed like an eternity, I was able to calm myself enough to make it home. I didn’t talk or call anyone that night. The next day back at the office, I was visibly out of it but blamed it on being under the weather.

No one else in my department had been invited to the meeting and I felt a sense of guilt for not being able to share what I had witnessed. I thought about contacting the 3 others who wear kicked out of the house but I didn’t remember their names and thought that tracking them down would probably bring unwanted attention.

I considered speaking out publicly at the risk of losing my job but I realized I’d probably be jeopardizing more than my job and I wasn’t willing to risk anything happening to my family.

I thought about those men with guns and wondered who they were? I had been told that this was bigger than the music business and all I could do was let my imagination run free. There were no answers and no one to talk to.

I tried to do a little bit of research on private prisons but didn’t uncover anything about the music business’ involvement. However, the information I did find confirmed how dangerous this prison business really was. Days turned into weeks and weeks into months.

Eventually, it was as if the meeting had never taken place. It all seemed surreal. I became more reclusive and stopped going to any industry events unless professionally obligated to do so. On two occasions, I found myself attending the same function as my former colleague. Both times, our eyes met but nothing more was exchanged.

As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves.

Only a few months had passed since the meeting but I suspect that the ideas presented that day had been successfully implemented. It was as if the order has been given to all major label executives. The music was climbing the charts and most companies when more than happy to capitalize on it.

Each one was churning out their very own gangster rap acts on an assembly line. Everyone bought into it, consumers included. Violence and drug use became a central theme in most rap music.

I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities.

I officially quit the music business in 1993 but my heart had already left months before. I broke ties with the majority of my peers and removed myself from this thing I had once loved. I took some time off, returned to Europe for a few years, settled out of state, and lived a “quiet” life away from the world of entertainment.

As the years passed, I managed to keep my secret, fearful of sharing it with the wrong person but also a little ashamed of not having had the balls to blow the whistle. But as rap got worse, my guilt grew.

Fortunately, in the late 90’s, having the internet as a resource which wasn’t at my disposal in the early days made it easier for me to investigate what is now labeled the prison industrial complex.

Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration.

Twenty years of guilt is a heavy load to carry but the least I can do now is to share my story, hoping that fans of rap music realize how they’ve been used for the past 2 decades. Although I plan on remaining anonymous for obvious reasons, my goal now is to get this information out to as many people as possible.

Please help me spread the word. Hopefully, others who attended the meeting back in 1991 will be inspired by this and tell their own stories. Most importantly, if only one life has been touched by my story, I pray it makes the weight of my guilt a little more tolerable”


Want to see this bullshit actually starting out back in 91? – Ice T – Original Gangster

Now watch his moronic video and say this isn’t part of a zionist control plan:

And read the comments underneath and say it didn’t inspire some retards to get their sorry arses straight into a prison!

Share this about a bit – I suspect that was the authors intention

http://humansarefree.com/2014/10/the-secret-meeting-that-changed-rap.html


SO JUST HOW MORONIC WERE ICE T’s LYRICS? – try this utter crap for size:

 

SOME RANDOM EXTRAS

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A tricky question is how much of rap is done from within and how much from above? I think all popular music is being done from above, and modern musicians are too talentless to write any of it themselves, but there are lots of agendas – transgender and satanism being big ones at the moment…

These two tranny freaks are quite a story – Start with swapping their sexes over and then throw in some satanic shit..

Tuesday, 24 June 2025

ART BY TALA MADANI

 I'm not sure what to make of some "modernist" art - for example is this painting showing the anticipated audience reaction to this painting by Tala Madani? Or are those men transitioning? So many questions, maybe it's better to stop over analyzing and just enjoy the artistry...


 Tala Madani is worshipped for mocking the very men who probably fund her exhibitions - fat, balding, middle aged men with pervy sexual issues, so she is highly regarded in libtard art poseur circles!

"Tala Madani was born in Tehran, Iran in 1981. She skewers stereotypes in her sharply satirical paintings that evoke clashes of culture: men and women, the rational and the absurd, Western and non-Western"

"Madani’s figurative paintings often feature a riotous cast of middle-aged men, balding and stocky, whose libidinal mayhem wreaks havoc on any situation the artist thrusts them into. Acerbic caricatures of both machismo and a childlike desire for mischief, the physical comedy at work in Madani’s paintings is anchored by intense pleasures, pathos, and a pervasive sense of violence"

https://art21.org/artist/tala-madani/


"Tala Madani’s paintings depict a universe of splendid transgressions. A brood of babies feasts on a mother made of crap. A toddler wields a penis the size of a go-kart. A man is levitated by the power of his own glowing ejaculate. It’s a funny, horrifying and often hypermasculine place, animated by the mythic logic of the subconscious. To suit her subject, Madani depicts many of these activities in the dark, lit dramatically by flashlights and projectors, as if they were scenes in some sordid farce. Light is a primary force here, just as it is for all painters, but these lights are artificial, invasive beams of unwanted exposure"
 
 
 
 Here are five of her masterpieces





Friday, 18 April 2025

NEW SATANIC JESUS

Dave Navaro's new look (he was the guitarist from Jane's Addiction) - along with all the satanic tatts that is a Freemason hand sign
 

It's a shame to see him looking like this, they were a great band once! - https://www.youtube.com/watch?v=i7Q_8q3XXrQ - but yes that song is about a tranny! - "have you seen my wig around?" :)

Thursday, 20 March 2025

THE NEXT PSYOP HAS JUST BEEN ANNOUNCED

Just in case it isn't obvious enough what controlled puppet Trump is up to, his owners have just announced their next evil plan. As they always do. No surprises here, a US recession, and very soon. 


 "US recession would be a big catalyst for Bitcoin: BlackRock"

One of the first signs of a psyop are repetition of a news story across all the controlled media outlets using a specific key phrase

Yes, I think this signals two things:

1. The US economy is about to crash. (The illuminati always announce their evil plans)

2. Bitcoin (and other cryptos) are about to have a price surge. Buy cryptos now!
 

Saturday, 15 March 2025

CALL THAT MUSIC SATANIC? - HOLD MY GOAT HEAD


 In my post ILLUMINATING MUSIC  all those music videos were chosen because I liked them, and only came to realise later that they were filled with satanic imagery. Except that Robert Palmer "Addicted To Love" song, that one is totally lame and I never liked it anyway.

The Eurythmics video "Love Is A Stranger" soon leads to the question "is Annie Lennox a tranny?" My response to that is "no, I think she is a biological female who often did her best to look masculine". 


 Not so much in "Addicted to Love" where apart from tearing off her wig in a slightly provocative way a couple of times, and wearing a man's suit at the end when she seems to become robotic, she mostly looks feminine, but in "I Love to Listen to Beethoven", she does a very good impression of being a tranny. And that video is arguable far more satanic as well. It certainly is creepy...

But none of the videos are hard out in your face number of the beast style heavy metal videos. There were no end of those in the 80's but they always seemed a bit tongue in cheek. I went back and had a look at Iron Maiden "Number Of The Beast" (1982) to revisit that old dinosaur. It really is utter crap isn't it?

The satanic book cover I included in the post, is one I'm currently reading, but it's so revolting I suspect it's actually a psyop written by a fake whistle blower in order to give the impression that satanists are all running around chopping people up and eating them, in order to make us truthers more scared of them. 

In fact I suspect most satanists are just inbred trannies who spend their time casting spells on cakes that look a bit like people, and eating those. 

For anyone interested in learning more about the satanic influences in modern music I recommend Mark Devlin's "Musical Truth" series of books.



Moving on from the 80's, one track that I remember really floored me when it came out was "Come to Daddy" by Aphex Twin (1997). I don't even know if it's really satanic or not, but it's one of the darkest videos I've ever seen and I just wanted to include it in case anyone said my previous post was too gay and I need to harden up. 

 The video for "Come to Daddy" was filmed on the same council estate where Stanley Kubrick shot many scenes in A Clockwork Orange. It opens with an old woman walking a dog in a grimy, industrial setting. The dog urinates on an abandoned television lying on the pavement, causing it to sputter unexpectedly into life, and a distorted and warping headshot of Richard D. James chants the lyrics.

This unleashes a spirit, accompanied by a gang of small children, all of whom bear James' grinning face and who appear to inhabit the abandoned buildings. The children go around wreaking havoc, trashing an alley and chasing a man into his car. A thin man emerges from the television, screams in the woman's face, then gathers the children around him.



Saturday, 8 March 2025

ILLUMINATING MUSIC

Revisiting music from the 80's, some of the songs and videos were awesome, but knowing what I know now - many of them were full on Illuminati mind programming and every last detail in them was deliberate!

Yazoo - Nobody's Diary

 
Even Madness - pretty much all music videos really... If they were popular, the signs and symbols are probably in there.
 
 Madness - Bed and Breakfast Man
 

And this ghastly song is a full reveal: "your mind is not your own"

Robert Palmer - Addicted To Love

 

 "One of the most famous videos of the 80s, with Palmer surrounded by a group of identically-dressed, hot-looking girls. Except that their robotic movements and blank stares suggest them be Stepford Wives-style mind-control clones. 
 
One of the girls, Mak Gilchrist, revealed in an interview with ‘Q’ magazine that she and her colleagues were instructed to behave “like showroom mannequins.” Looking into Palmer’s family background, we find yet another interesting link to military intelligence, his father having been a British naval officer. 
 
Palmer himself joined the dubious ranks of rock stars to suffer early, sudden deaths, when his body was found in a Paris hotel room in 2003 at the age of 54. The cause of death was given as a cardiac arrest." (Directed by Terence Donovan)" - Mark Devlin - Musical Truth 2

 
While all those ones I could see easily, Joy Division I didn't really want to see at first... Ian Curtis did exhibit many signs of being mind controlled.
This is one of my all time favourite music videos, but this has some full on subliminals!
 
Joy Division - No Love Lost (Live 1979) 



These days I'm reading books about satanism to understand what I was watching 40 years ago! 
 
 
But some of the music was amazing - this was my favourite Bowie song.
 
David Bowie - Ashes To Ashes

https://www.youtube.com/watch?v=HyMm4rJemtI
 

Revisiting these videos now with my special sunglasses on is mind boggling.
 
 
Maybe this is why Wellington city is now bankrupt and filled with gay bus stops and rainbow crossings, while homeless people are sleeping in doorways...
 
 
Not specifically because of these videos but because of the mind controllers directing them all. But I loved that stuff.

Only now do I begin to grasp the full extent of the deceptions...