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Showing posts with label conspiracies. Show all posts
Showing posts with label conspiracies. Show all posts

Tuesday, 21 October 2025

JEWISH MUSIC

Jewish control of the music industry  

People want to believe that there are rock’n’roll rebels who speak for us and stand up for our rights, like they supposedly did in the 1960’s. Therefore, the music industry must be the oasis in the vast desert where corruption, greed and power otherwise rules.

But there was no true rock’n’roll revolution, only a controlled one. The top Illuminati in this dimension of reality are Khazar Jews and Zionists. They are the ones, whom by following their Sacred Scripture, the Talmud, have put themselves in power over the rest of us by controlling the money and Big Business and decided to reduce the world population down to approximately 500,000,000 .
 
To be able to do this, they have to use different means, like keeping the world at war at any cost, create (fictional) deadly viruses like HIV and Ebola, control the weather so they can create earthquakes, tornadoes etc. at will, cause cancer with toxic "vaccines" and more…
 
And they also have to have a plan after they have killed off most of us, so the surviving population can be easily controlled. This is done by feeding us with propaganda 24 hours/day. You can’t get away from it, unless you build a cabin in the woods and live without electricity and connection with the rest of the society

So let us think about it. If you were them, what would you think would be the most valuable industries to control in order to brainwash the world as a whole, besides controlling the banks and the money flow? Well, that would be the Media, wouldn’t it? And with Media I mean not only the TV News and the newspapers. With Media I also mean the movie industry, the art industry and the music industry. With other words; every media that can reach millions of people at once.

If the Illuminati did not think this way, they would be very stupid, and you can blame them for a lot of things, but they are not stupid. So therefore, we have to assume they own the music and movie industries as well, right? At least it makes sense. And if they own these industries, do you think they would allow true rebels to influence the world population, unless of course, when it on occasion suits their Agenda?

The Jewish Owned Media

So now we have logically figured out that the art industries are owned by the Illuminati Mafia, which consists of the Talmudic Jews and their puppets. So far, this is only assumptions. How can we prove that the art industry is owned by those same people?

This is not hard to do. It only takes a few minutes of research and the pieces come together. Take a look at the following; here below is a list of the seven major players of the Media. And guess what? They are all Jews.

Today, seven Jewish Americans run the vast majority of US television networks, the printed press, the Hollywood movie industry, the book publishing industry, and the recording industry. Most of these industries are bundled into huge media conglomerates run by the following seven individuals:

Gerald Levin, CEO and Director of AOL Time Warner

Michael Eisner, Chairman and CEO of the Walt Disney Company

Edgar Bronfman, Sr., Chairman of Seagram Company Ltd [4]

Edgar Bronfman, Jr, President and CEO of Seagram Company Ltd and head of Universal Studios [4]

Sumner Redstone, Chairman and CEO of Viacom, Inc

Dennis Dammerman, Vice Chairman of General Electric

Peter Chernin, President and Co-COO of News Corporation Limited

Those seven Jewish men collectively control ABC, NBC, CBS, the Turner Broadcasting System, CNN, MTV, Universal Studios, MCA Records, Geffen Records, DGC Records, GRP Records, Rising Tide Records, Curb/Universal Records, and Interscope Records.

Quite a few larger Independent Newspapers are owned by Jewish interests as well. An example is media mogul  Samuel I. “Si” Newhouse, who owns two dozen daily newspapers from Staten Island to Oregon, plus the Sunday supplement Parade; the Conde Nast collection of magazines, including Vogue, The New Yorker, Vanity Fair, Allure, GQ, and Self; the publishing firms of Random House, Knopf, Crown, and Ballantine, among other imprints; and cable franchises with over one million subscribers.”

If Michael Eisner could depart Disney tomorrow, the company will remain in the hands of Shamrock Holdings, whose principal office is now located in Israel”.


The Entertainment Industry – Dominated by Jews

Now we know for a fact that the major Entertainment Industries, the ones that count, are owned by Jews, exclusively, but it doesn’t stop there.

The Entertainment Industry (which I from hereon out for simplicity will call the Industry, and by that I mean the Mainstream Media, the Movie Industry, the Music Industry and the Art Industry, if not otherwise specified) seems to favor Jewish artists, producers and managers. Behind most successful rock- or movie star is a Jew, and a large percentage of artists are Jewish as well. [7] This is particularly interesting if we ponder that the Jewish world population is just a fragment of the population as a whole. According to a Jewish website, Judaism 101, there are approximately 13-14 million Jews in the world, compared to a world population of around 6 billion souls.

As we can see if we go to Answers.com, concentrating only on American musicians, many of the most influential musicians in modern history have been Jewish:

Elvis Presley
Lou Reed
David Lee Roth
Alice Cooper
Neil Sedaka
Paul Simon
Art Garfunkel
Barbara Streisand
Jeff Beck
Tiny Tim
Michael Bolton
Eric Carmen
Sammy Davis, Jr.
Neil Diamond
Bob Dylan
Leonard Cohen
Ramblin’ Jack Elliott
Arlo Guthrie
Billy Joel
Carol King
Barry Manilow
Bette Midler
Phil Ochs
Joe McDonald (Country Joe & the Fish)
Robbie Krieger (The Doors)
Max Weinberg (Bruce Springsteen’s E-Street Band)
Roy Bittan (Bruce Springsteen’s E-Street Band)
Slash (Guns & Roses)
Gene Simmons and Paul Stanley (KISS)
Cass Elliot ( The Mamas and the Papas)
Leslie West (Mountain)
Mike Bloomfield (Paul Butterfield Band and guitarist for Bob Dylan)
Peter Yarrow (Peter, Paul & Mary)
Joey Ramone (The Ramones)
Jakob Dylan (The Wallflowers)
Phil Spector
Allen Ginsberg
Marc Knopfler (Dire Straits)
Marc Bolan (T-Rex)
Manfred Mann
Donovan P. Leitch (Donovan)
Burt Bacharach
Leon Russell

This is just the tip of the iceberg; the list goes on and on. Then if you include classical musicians, jazz musicians and film producers, the list will be very long. To further prove my point, here is a statement from Leonard Bernstein’s (world leading Jewish conductor) biographer, Joan Peyser:

“The more one knows about Bernstein, the more complicated the portrait is of him as a Jew. Capable of working productively with anti-Semites, he still holds a soft spot in his heart for fellow Jews, whom he says he finds superior to all others. ‘He is so adamant about music being Jewish,’ [conductor and composer Gunther Schuller says]. ‘It is important to him that a composer is a Jew, that a performer is a Jew. He told me that Triplum, my composition, has a Jewish soul. That is meant as a compliment. I am not a Jew. When Lenny says, ‘You can almost be Jewish,’ that is considered by him to be one of the most supreme of compliments.'” [PEYSER, J., 1987, p. 409] [8]

Jazz Music

Jazz music in particular was dominated by Jewish artists to the extent that almost all famous jazz musicians of its time were Jews. The Jewish Tin Pan Alley monopoly of the music business was solid for decades. As H.F. Mooney notes:

“By 1941, the virtual monopoly of the ASCAP (American Society of Composers Authors, and Publishers, organized in 1914), which had practically protected New York’s ascendancy in the music market, was broken by legal judgment. The consequent opening of broadcasting and recording channels to non-ASCAP composers and publishers, many of them unknowns outside the conventional musical establishment of Tin Pan Alley … marked the end of an era of increasingly urbane New York composers. These had been heavily Jewish … Such New York Jews as Harold Arlen, George and Ira Gershwin, Jerome Kern, Vernon Duke (ne Dukelsky), Herman Hupfeld and Vincent Youmans had produced a pensive music of finesse and polish, often using minor strains in the cantorial tradition.

Their melodic concepts influenced ‘white’ jazz instrumentalists — themselves frequently Jewish — flowing with increasing facility through plaintive but delicately restrained saxophones from Benny Kreuger in the early 1920s through Frank Trumbaujer to Stan Getz; and through the arabesque clarinets of Benny Goodman and Artie Shaw.” [MOONEY, H. F., 1972, p p. 258-259] [9]

Jews were also prominent in the overseeing of the Black community’s jazz life, including the control of musical clubs in Black neighborhoods in a variety of American cities. “The invasion of the Black community by organized crime lords with connections to downtown money,” notes Ted Vincent, “was certainly the most sensational contribution to the loss of Black oversight of neighborhood dance halls and theatres.” [VINCENT, p. 176] [10]

In addition, we have the “closet Jews”, meaning those who have changed their names to hide their Jewish origins for different reasons. However, if the last name does not appear to be Jewish, the first name may be a clue; names such as David, Jakob, Samuel, Joseph etc. It is not that Jewish artists are a majority in the Industry, but there is an overwhelming number of them in top positions, where they can influence an enormous amount of people, and those who are not Jewish have to adjust to Jewish laws and regulations, and also be prepared to be screwed, as we shall see.

Jewish Origins of Rock’n’Roll and Rhythm & Blues

And rock and roll? The Jewish foundation continued. “The most famous and important [rhythm and blues disc jockey],” note Steve Chapple and Reebee Garofalo, “was … Alan Freed, the father of Rock ‘n’ Roll … Freed was credited with co-writing fifteen rock and roll hits including Chuck Berry’s ‘Maybelline,’ but he did little more than promote any of them.” [CHAPPLE, p. 56-57] A biography of Freed notes that “by 1956, there was no bigger name in rock and roll than Freed, except Elvis Presley [who was Jewish as well, editor’s note].” [JACKSON, p. ix] (Another of America’s best known early disc jockeys was also Jewish, Murray the K, aka Murray Kaufman). [10]

As Syd Nathan, the owner of King Records, once said, “You want to be in the record business? The first thing you learn is that everyone is a liar.” [WADE, p. 60] “The early rhythm and blues companies were run by a fraternity of Jews … They were tough and they were shrewd — some say unscrupulous — and they were alternately loved, despised, respected, and feared. The deep bond of these cultural outsiders prompted one gentile, mild rebuke in his voice, to comment that ‘Yiddish was the second language of the record business.” [COHODAS, N., p. 3-4, 2000] [10]

There are a number of artists who have been cheated by greedy Jewish Record Companies, owned by Jewish businessmen. Many of those victims have been black, but far from everybody. A few examples of musicians whom have been ripped off by the Jewish Music Industry where some of them filed lawsuits are: Little Richard, Chuck Berry, Howlin’ Wolf, Muddy Waters, Willie Dixon and Bo Diddley. The Rolling Stones once sued their Jewish manager, Allen Klein for $29 million. [SANDFORD, p. 164] Christopher Sandford notes that “By midsummer [Rolling Stones singer Mick] Jagger was unable to mention his manager’s name [Klein] calmly. Later he gave an interview in which he stated, ‘Half the money I’ve made has been stolen. Most artists in show business suffer the same kind of thing… It’s all the hangers-on and parasites. There are very few honest people in the profession.” [SANDFORD, p. 139]

But the Talmud says very distinctly that for a Jew, it is absolutely fine to cheat and lie to a goy (non-Jew) and that you don’t have to pay him wages owed him for work. Here are some passages from this lovely book, which states that Jews are human and non-Jews are not. Non-Jews are nothing but cattle and should be treated as such:

O.K. to Cheat Non-Jews. A Jew need not pay a Gentile (“Cuthean”, which means a non-Jew) the wages owed him for work
– Sanhedrin 57a 

“Jews always have to try to deceive Non-Jews”
– Zohar I, 168a

“Every Jew is allowed to use lies and perjury to bring a Non-Jew to ruin”
– Babba Kama 113a

Folk Music in the 60’s

Moving to the Folk Music era of the 1960s, we see that this too was totally Jew dominated. Israel Young ran the Folklore Center in New York’s Greenwich Village in the 1960s. Fred Weintraub owned the well-known Bitter End nightclub. Manny Roth ran Cafe Wha?. Among the prominent Jewish folksingers of the era were Bob Dylan, Phil Ochs, Jack Elliott, Peter Yarrow (of Peter, Paul, and Mary), David Blue (Cohen), and two (Fred Hellerman and Ronnie Gilbert) of the four Weavers. Ballad singer Leonard Cohen had a grandfather who was the first president of the Canadian Jewish Congress. Moe Asch (whose father, Sholem, was “the most widely read Yiddish writer of the twentieth century”) [GOLDSMITH, P., p. 1] headed Folkway Records, the label that released recordings by Woody Guthrie, Pete Seeger (manager: Harold Levanthal), Doc Watson, Black blues artist Leadbelly, Josh White, Black poet Langston Hughes, and ethnic performers from around the world. (Woody Guthrie’s wife, Marjorie Gleenblatt Mazia, was Jewish, and their child, Cathy Ann, was “raised as a Jew.” [POLLAK, O, p. 12])

Guthrie even lived with Marjorie in a Jewish neighborhood in Coney Island. Asch got into the recording business with a connection to David Sarnoff, the eventual head of NBC-RCA. [GOLDSMITH, P., p. 60] A later version of Folkways was Verve/Folkways, which featured Tim Hardin, Richard Havens, and Jewish artists Laura Nyro and Janis Ian. (Nyro’s original name was Nigro, and her name was changed for fear that people might call her “Negro.”) [KING, T., 2000, p. 73]

Bob Dylan is a full-blooded Jew; both his parents were Jewish, and his real name is Robert Zimmerman. The manager who can take most credit for making Dylan known is probably the Jew Albert Grossman, a ruthless businessman with bad reputation. He later became the owner of Bearsville Records. [12] Grossman helped George Wein [Jew] organize the first Newport Folk Festival, in 1959, a festival which became big in folk music.

It is interesting to see how Bob Dylan surrounds himself with Jewish friends and musicians, such as Allen Ginsberg, Mike Bloomfield, Tiny Tim and Robbie Robertson to name a few. He even nominated Ginsberg to being the greatest poet ever, and has often praised Jewish artists and musicians before non-Jews. The Talmud says it is perfectly okay to cheat and play around with goyim (non-Jews) and rip them off. Dylan is no exception. He stole, cheated and betrayed wherever he could in the beginning of his career to reach the fame he so obsessively desired. He used famous musicians like Joan Baez to boost his career, even had a love affair with her, and then when he didn’t need her anymore, in Talmudic Jewish manner, he abandoned her and married a Jewish woman, Sara Lowndes. Moreover, he stole songs and ideas from other musicians and recorded them as his own. Examples are “Blowing in the Wind”, the special version he recorded of the traditional song “House of the Rising Sun” and “Baby Let Me Follow You Down”. He also borrowed a whole record collection from a person to use as inspiration, without giving it back. Not until the owner, together with a big guy knocked on Dylan’s door to get the record collection back, Dylan returned it, avoiding to get beaten up by smooth talking the tough guy. [13]

Early in Dylan’s career, “when a girlfriend’s mother challenged his lies and said she thought Zimmerman was his real name, he called her an anti-Semite, as if a mere description of the truth was bigotry.” [RUBIN, p. 94] Dylan, who early in his career hid his Jewish past and made up various lies (he was from Oklahoma, etc.) about his background, nonetheless joined the Jewish fraternity house at the University of Minnesota in 1959, Sigma Alpha Mu. [SCADUTO, p. 26] After becoming rich and famous singing about social justice, in the 1980s, “Dylantologist” A. J. Weberman declared that the famous singer “is an ultra-Zionist. He is doing the tour to raise money for Israel. He has given large sums of money to Israel in the name of Abraham Zimmerman.” [SPITZ, p. 430]

Image result for bob dylan jew

Newsweek and Time each reported that Dylan had indeed donated sums to the Jewish state, and even the far right-wing Jewish Defense League. [SPITZ, p. 407] A biographer, Anthony Scaduto, noted earlier, in 1971, “At this writing, Dylan’s search for personal salvation seems to be coming around full circle, back to the religion of his fathers. Bob has started to study Judaism, and Hebrew. Dylan, who gets so Gemini-enthused about everything, has made several trips to Israel in the last year to ‘sniff the breeze’ as his friends put it. He has reportedly donated some of his funds to help support at least one kibbutz there. Folksinger Theo Bikel [also Jewish, and a Zionist activist] adds: ‘Dylan has told me that Israel appears to be one of the few places left in the world where life has any meaning.’ He has even attended several meetings of the militant Jewish Defense League. The JDL’s head, Meir Kahane, [charged by many, including Jews, as a racist and fascist] will say only that Dylan has ‘come around a couple times to see what we’re all about’ and has promised to donate money to the organization. Dylan refuses to discuss it.” [SCADTO, p. 274]

Another Jewish entrepreneur, Maynard Solomon, headed another prominent folk-oriented record label, Vanguard, which featured Joan Baez, Buffy St. Marie, Eric Anderson, among others. Another folk label in Chicago, Flying Fish, was founded by Bruce Kaplan. Jewish popular musical performers are many and varied, including the Beastie Boys (“widely castigated for glorifying sex and violence”) [ANDERSON, 1991, p. 173], Bette Midler, Billy Joel, Barry Manilow, Randy Newman, Carly Simon (one of the heirs to the Simon-Schuster publishing house fortune), Helen Reddy, Lesley Gore, David Lee Roth of Van Halen, Lou (“Take a Walk on the Wild Side”) Reed, [BELL, I., 6-1-93, p. 12] and Mountain’s Leslie [Weinstein] West. Donald Fagen co-founded Steely Dan. Marty Friedman of Megadeth is Jewish, as is Peter Green of Fleetwood Mac, Marty Balin of Jefferson Airplane, Marc Knopfler of Dire Straits, Paul Stanley (Stanley Eisen) and Gene Simmons (born Chaim Whitz in Haifa, Israel) of Kiss, Perry Farrell (Perry Bernstein; son of a diamond dealer) of Jane’s Addiction, Kevin Dubrow (lead singer of Quiet Riot), Slash of Guns ‘n Roses, Geddy Lee (of Rush — born Gar Lee Weinrib), Eric Bloom (lead singer of Blue Oyster Cult), Robbie Robertson, Warren Zevon, Jeff Beck, Mick Jones (of the Clash), Gavin Rossdale (head of Bush), Jay (Blatt) and the Americans, Marc Bolan of T-Rex, Manfred Mann (Lubowitz), Norman Greenbaum, Phranc (a Jewish lesbian folksinger), and Howard Kaylan and Mark Volman of the Turtles. And on and on. Jewish interest in the subject notes that ukelele-rooted Tiny Tim’s mother was Jewish, Donovan’s mother was Jewish, Cyndi Lauper’s father is Jewish, Country Joe MacDonald’s mother is Jewish, Twisted Sister’s Dee Snider’s father was Jewish and on and on. [JEWHOO, 2000; BOUCHER, G., 4-17-01, p. 62; TAYLOR, L., 12-27-00, p. F5]] Even the 1998 “Eurovision Song Contest winner” — featuring an event watched by 100 million people in 33 countries — was Israeli transsexual Dana International, born Yaran Cohen).

Not Jewish? Want to make it in the music business? Enhance your chances by learning Yiddish:

“Even gentiles learned to salt their language with pinches of Yiddish, the industry’s vernacular. Courtney Love, not long before her own major label debut at Geffen Records, began boning up with the help of Leo Rosten’s The Joys of Yiddish. ‘I’m going to blow the minds of all those shemedricks at the record company,’ Courtney said. She would even sometimes refer to her dispute with Kat [of the all-female band Babes in Toyland] over who was the first to wear a baby-doll dress onstage as ‘that shmatte’ controversy.'” [KARLEN, N., 1994, p. 146]

More Jews: The magazine “Bible” of rock and roll music, Rolling Stone, was founded by Jewish entrepreneur Jann Wenner. Wenner is also “the single most important person behind” Cleveland’s Rock and Roll Hall of Fame and Museum. [HINCKLEY, D., p. 9] Joel Siegel, later prominent as a film critic, was also “TV’s first rock and roll reporter.” [SLEWINSKI, C., 3-23-99, p. 102]

“To my surprise,” writes Jewish author Michael Billig, “song after well-known pop song, revealed itself to ‘Jewish music,’ from [Elvis] Presley to the soft sounds of the Drifters to [producer] Phil Spector. So much of the rebellion-music which I had loved in my youth and which seemed to be a window to a foreign, dangerous world, turned out to be a product of familiar surroundings. Surprise was mixed with delight.” [ARNOT, C., 10-4-2000, p. 6]

The Jews Behind The Beatles

What about the Beatles, the Liverpool group who changed the world with their music? Oh yes, they had close Jewish connections as well. Brian Epstein, their agent/manager and Sid Bernstein, their promoter, were both Jewish.

Brian [Epstein] signed over to Dick James [a music publisher] 50 percent of Lennon and McCartney’s publishing fees for nothing. It made him wealthy beyond imagination in eighteen months.” [BROWN/GAINES, 1983, p. 186] After Epstein‘s death, in 1969 James sold the rights to the Beatles songs from under them. “It was the single most contentious deal arising from the Epstein–James era. “The Beatles were angry at what they regarded as betrayal.” [COLEMAN, p. 306] Marc Elliot notes that James sold “his interest in Northern Songs to the notorious [British Jewish media mogul] Lew Grade, known in the film industry as Low Grade.” [ELLIOT, p. 158] Epstein also had “good communication” with Grade‘s brother, Bernard Delfont, “one of the czars of London show business.” [COLEMAN, p. 245-246]

Woodstock

The landmark 1969 Woodstock Musical Festival was the entrepreneurial investment of four young Jews: Joel Rosenman, John Roberts (heir to a pharmaceutical fortune), Artie Kornfeld, and Michael Lang. The person hired to pull the whole project together was Stanley Goldstein. Mel Laurence (born Melvin Bernard Lachs) was also the Director of Operations for the festival creators, Woodstock Ventures. Bert Cohen, of Concert Hall Publications, soon joined the production team for various tasks. [SPITZ, 1979] The first employee of Woodstock ventures was Rene Levine, a bookkeeper and another Jew, Alex Jaffee, was the company’s accountant. In a book chapter called “Buying Off the Underground,” Joel Rosenman recalls when he and others of the Woodstock Ventures investment team went to Greenwich Village’s East Village Other “counterculture” newspaper to buy them off, guaranteeing that prominent members of that anti-capitalist community wouldn’t cause problems with the economic exploitation of the supposedly anti-materialist Love Generation. Famed radical (and Jewish) agitator Abbie Hoffman demanded $10,000 from Woodstock Ventures, “or else that fucking festival you guys are planning is gonna end up around your ass.” [ROSENMAN/ROBERTS/PILPEL, p. 102].

The disastrous 1999 Woodstock Festival was also headed by Michael Lang, and John Scher. It ended in rioting, vandalism, injuries, arrests, and sexual crimes. [MORSE, S., 7-27-99]

Non-Jewish musical stars, caught in the Judeocentric web of the musical world, often support Jewish/Israeli ethnocentric interests on behalf of their Jewish friends and managers. Among the old Geffen stable, for example, in 2002 a news item noted that Don Henley of the Eagles was “donating the $7,900 from the sale [of his guitar at auction] to the Jewish Federation of Greater Dallas for use in supporting Israel and Jewish organizations.” [TOP FORTY CHARTS, 6-12-02] That same year, the Jewish Week wondered: “What’s one of the world’s greatest rock stars doing at a Jewish benefit dinner? The answer came Monday night when Bono, the voice and wordsmith driving the fabulously popular band U2, became the first rock and roll personality to receive the Humanitarian Laureate Award from the Simon Wiesenthal Center.” [Jewish Week, 11-22-02] (That same year, the Israeli newspaper Ha’aretz noted that the new Wisenthal “tolerance” Center in Jerusalem was built on a Muslim cemetery).

In the rock and roll world which is so heavily Jewish, there are apparently different levels of what is considered to be morally offensive, including the usual admonition: Thou Shalt Not Offend Jews (Others, especially Christianity? — No problem). As Leah Garchik wrote in 2002, “Marilyn Manson reveals in Rolling Stone’s new book ‘Tattoo Nation: Portraits of Celebrity Body Art” that Madonna’s manager, who was thinking of signing Manson, called Manson’s manager to inquire about whether the rocker had a swastika among his many tattoos. ‘Of course not,’ said Manson’s manager. ‘One of the guys in the band is Jewish.’ ‘Oh, OK,’ said Madonna’s manager. ‘We don’t have a problem with the Satanism, but we can’t deal with any kind of Nazism.'” [GARCHIK, L., 11-7-02, p. D14]


Punk Rock

The “godfather of punk,” manager and “mastermind” of the seminal “punk” band — the Sex Pistols, was Great Britain’s Malcolm McLaren. He was also the manager of the New York Dolls, Adam Ant, and Boy George. According to Sex Pistol lead singer Johnny Rotten, his manager was “the most evil man alive.” [HARRIS, M., 8-19-94, p. 11; SHAW, D., 12-16-99, p. 5] McLaren “was brought up by his maternal grandmother, Mrs. Corre, a formidable woman from a very rich Sephardic Jewish family.” [BARBER, L., 12-22-91, p. 8] The anarchistic Sex Pistols, notes the London Independent, were “brought into being quite cynically by Malcolm McLaren as an advertising gimmick to promote sales of the fetishistic clothes and other devices designed and sold by himself and Vivienne Westwood.” [GRAHAM-DIXON, 8-19-95, p. 2] (The Ramones are also a candidate for the most influential punk band. The head of the Ramones, Joey Ramone — born Jeffrey Hyman — is also Jewish. ) [TAYLOR, L., 12-27-00, p. F5]

Rap Music

The Jew Howie Klein founded the “punk” rock label 415. Joseph Heller, formerly of Heller-Fischel, booked acts like Styx, the Electric Light Orchestra, Boz Scaggs, and a variety of others. “He represented top-drawer rock talent like Van Morrison, the Guess Who, Marvin Gaye, War, Elton John and Pink Floyd.” [SNYDER, N., 2-19-01] Stretching out as dangerously as possible to make a buck, Heller eventually gravitated towards a relative goldmine in the Black ghetto-based “gangsta rap.” He cofounded Ruthless Records and managed the pioneer rap group NWA (Niggaz With Attitude) from early in their careers. The musical genre of gangsta rap, notes Jory Farr, “thrives on misogyny, as well as homophobic and race-baiting rage … [It] was the perfect music for [a] lifestyle loaded down … with warnings of betrayal, murder, revenge, and a short life.” [FARR, p. 70]

“I believed that rap would become the most important music of the nineties,” said Heller, “… [But] you can’t sell two million rap records to kids in the inner city. That’s a way to sell 200,000. You have to market it to the white kids.” [FARR, p. 68, 71] Heller hired Ira Selsky as his corporate attorney and an Israeli-born security chief named Michael Klein to ward off angry, exploited Blacks who quite literally walked into his office threatening to kill him. Rap star Ice Cube even threatened Heller in one of his recorded songs, prompting the Anti-Defamation League to flag it as anti-Semitic. Ruthless Records released a Jewish rap duo called Blood of Abraham. As Chuck D, the lead vocalist for the Black rap group Public Enemy, noted, “There’s no way to get trained on the seamier elements of the music business being on the street — that element is reserved for boardrooms.” [D, CHUCK, p. 85] Those in Chuck D’s reminiscences about “boardroom” behavior include Lyor Cohen (manager of Rush Productions, and an Israeli); Al Teller, an executive at MCA whose parents died in the Holocaust; Steve Ralbovsky of CBS; Bill Adler (a publicist); and Rick Rubin of Def Jam Records. (Jewish diamond dealer Jacob Arabo has made the news as a favored jewelry merchant to the Black rap crowd that seeks to symbolize wealth and power, or, as the New York Times put it, “the jeweler who gives most of today’s leading rappers their shine.” [CENTURY, p. 1]

So What Does This All Mean?

If you have followed me and read this article so far, at least you must have asked yourself why there are so many Jews in power within the Industry. It can’t be a coincidence. Is it just that Jews are better businessmen than us ‘goyim’? This is what we hear over and over as an explanation to why there are so many Jews in charge of big Businesses. We learn that it is in their blood, and that it is nothing wrong with that.

It is in their blood, alright, that’s for sure. It would all be fine and dandy if these business-minded people played it fair. So why are these Jews in high position (and even ordinary Jewish musicians in some cases) so unreliable, unethical and immoral?

I guess we have already answered that question to some extent. They ARE business-minded and they follow the Talmud! They believe it’s God’s will that they act like this and treat the rest of us like cattle. But which God? Most Jews believe their God is Jehovah, like it says in the Torah (the Old Testament). But that is just the every-day Jew on the street. Like any secret society, Judaism is no exception; you only know what you need to know. If you want to get a clue to who the REAL God in Judaism is, maybe Harold Wallace Rosenthal, a Talmudic Jew, can give you some answers. In the 1970’s, Rosenthal was interviewed by Walter White Jr., and when the interview was over, Mr. White was shaken and nauseated due to what he had just heard Mr. Rosenthal confesses without any remorse. You can read the whole article here, but I warn you – it is very disturbing reading. However, to you whom already know that these people are using the Talmud in their daily life, this doesn’t come as too much of a surprise, although EVERYBODY should read “The Rosenthal Interview”, nonetheless.

You will hear Mr. Rosenthal say that what the average Jew doesn’t know is that the God in Judaism is Lucifer, and that the Jews are Lucifer’s chosen people. Then, on a deeper level, of course, we can discuss who Lucifer really is, but that is subject to other articles, already posted elsewhere on my website.

Anyway, if we agree to that this world is run by a secret organization that we for simplicity call the Illuminati, and there is overwhelming evidence for that, then we know that these people do everything they can to control business, politics, education and entertainment. That is the easiest way to streamline the masses into thinking in certain directions that they want us to think. So to be able to find out who is controlling us, we just follow the money and look at who is running things. To our amazement, we find out that this world is run by Talmudic Jews, whom do everything they can to create a slave society with them in charge over us, the cattle.

Does this sound anti-Semitic? For those who don’t know better and are still buying into the Programming, it might, but if we look a little deeper, two things come to show:

1. There is clear evidence that Jews are running the show, and the truth is the truth. Call it anti-Semitic if you like.

2. The Jews we are talking about are not even Semites! They are all descending from the old Khazar tribes and have nothing to do with the OT Jews and “God’s chosen people”. The Semites are, according to the highly authoritative Oxford Universal Dictionary, 1944 (p. 1838) the people belonging to the race of mankind which includes most of the peoples mentioned in Genesis 10 as descended from Shem, son of Noah, as the Arabs, Hebrews, Assyrians and Arameans, and speaking a Semitic language as their native tongue.

Most people would answer the question whether the modern Jew is of Hebrew or Semitic origin with a clear “yes”! Wrong! Most Jews in modern society have nothing to do with the ancient Hebrews of biblical times. For decades we never thought of even questioning the basic assumption that the modern day Jew is a Semite. [14]

So why do you think that the Anti Defamation League (ADL) and other “Jewish Protection Organizations” go berserk as soon as anybody mentions the word Jew in a negative context? Is there ANY word in ANY language that is more charged than the word Jew? I don’t know, I haven’t researched that, but wouldn’t be surprised if the answer is ‘no’. And by common sense, where you get the most attacks and most resistance is where the ‘secrets dwell’. Here is something they really want to hide, and they do it by calling those whom are about to find out the truth anti-Semitic. The truth is that the real anti-Semites are the Jews themselves, because they are attacking such people as the Arabs all the time – the real Semites as we saw earlier.

How the Music Industry Works

The way the Industry works has been covered by me in previous articles, like “Mind Control in the Field of Art” and I highly recommend that you read it, and also all other articles I have posted in the “I Sold My Soul to Rock’n’Roll and Mind Control” section of my website. For you who doubted me may now be able to restudy this section with new eyes, and perhaps you will find that it makes more sense.

I will not repeat myself here, due to that I have covered this subject in details in the above articles, but rely on that you do your own further research there and elsewhere too for that matter.

In Summary

There is no doubt that the Entertainment Industries are run by the Illuminati Talmudic Jews and that their Agenda is clear. The Industries are run by criminals with two main purposes in mind:

1. To make lots of money with whatever methods available. Nothing is holy and murder is accepted, if necessary.

2. To manipulate people into accepting the New World Order and a One World Government. This is done in different overt and covert ways, also covered in the above sections of my website as mentioned under “How the Music Industry Works” here above. Only artists they can control will be promoted and accepted, or artists that they can make a big buck out of and later conform or waste. If dropping them makes them “talk”, or if a ‘bad situation’ is eminent, there is always ‘other means’ to take care of the uncomfortable situation (read John Lennon and 2PAK).


This entire post was by Wes Penre and is a shameless copy & paste.

www.illuminati-news.com/Articles/42

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Thursday, 16 October 2025

TUCKER GATEKEEPER

 For some reason a lot of people seem to believe Tucker Carlson is sharing the truth with them. No, it doesn't work like that... He is a gatekeeper.

Triple 6 - The 666 hand sign

The sign is made by touching your thumb with your index finger making a circle. The other fingers follow the index’s shape thus forming the tail of two 6s.


    “Let him who has understanding calculate the number of the beast, for it is the number of a man: His number is 666.”


Tucker Carlson does this a lot, but all influencers - watch their hands - they nearly all make hand signs - in 2025 it tends to particularly be the Triple 6 sign - quick & subtle, but constantly repeated.

See more pics on my celeb hand signs page

Tuesday, 14 October 2025

CONSPIRACY THEORIES


Back in 1992 (Yes, 33 years ago!), I had a long conversation with a guy who seemed to have a lot of strange and paranoid views about all sorts of stuff. Most of what he was saying was new to me, but for some reason I found it all fascinating.


We had started off discussing performance enhancing drugs in cycling (PEDS), and then got onto a whole range of other topics. At that stage I had never even heard the term "conspiracy theorist" and it was more than a decade before I realised that discussion had sewn seeds in my mind that later took me down the same path.

How he knew so much back in 1992, in a largely pre-internet world, is beyond me. I was familiar with PEDS because I'd seen them first hand in cycling, and also because I'd read a lot about the history of the Tour de France, which is littered with thinly disguised references to drug use.

Some great undisguised quotes came from five times tour winner Jacques Anquetil (1957,61,62,63,& 64) who actually said all of the following:

"You can't ride the Tour de France on mineral water"

 "You'd have to be an imbecile or hypocrite to imagine that a professional cyclist who rides 235 days a year can hold himself together without stimulants"

 "For 50 years bike racers have been taking stimulants. Obviously we can do without them in a race, but then we will pedal 15 miles an hour (instead of 25). Since we are constantly asked to go faster and to make even greater efforts, we are obliged to take stimulants"

"Leave me in peace, everybody takes dope"

 
Beyond that, the only "conspiracy" topic I knew much about was the dangers of "vaccines", mainly from having read a couple of books exposing what was really going on with those.
 
Here is a list of 37 books warning about the death jabs ("vaccines") published between 1889 and 1991.
 

 I did go on to read some more books about other "conspiracies", but it wasn't until I got an internet connection in 1998 that I really started looking into things myself and doing a bunch of research. 
 
In those relatively early days the internet was filled with good information, in a way that the controlled internet of 2025 is not. The key thing being that it was actually quite easy to find a lot of the information that is now so carefully buried in utter crap.

I started out pretty keen to share the information ("conspiracies") that I learned about, but over the years I learned just how many people not only don't want to question what they have been programed to believe, but also how angry they get about anyone discussing it.

So I have tended to share more stuff online than in person, but even so, during the giant covidhoax, as society completely split in two, I became increasingly antisocial, (and I wasn't very social to begin with). The sad truth is, I became quite repulsed by "normies" and wanted nothing more to do with them.


Over the past quarter of a century I've very seldom encountered anyone who I would consider "more of a conspiracy theorist" than myself. I'm used to people only going so far, and then drawing their line in the sand. For example they typically might be fully onboard with "covid is a giant scam", but they get a bit edgy with "lots of celebs are trannies".

Being a "conspiracy theorist" has at least two major drawbacks:

1. To a certain extent it limits your social circle to only about 20% of the population. In general society you have to button your lip, saying nothing that disagrees with the brainwashed normie's moronic delusions. Or you constantly create anger and enemies. So for an introvert like me it's easier to just avoid all social interaction.
 

2. The other less widely discussed one is that it can leave you in a negative and defeated mindset. Once you have repeatedly seen that the majority of the population are mind controlled sheeple, who will follow the herd every time, and seemingly never learn anything, it gets really hard to have a positive outlook. Which is unhealthy and dysfunctional.

 

In an attempt to reduce that, I have been drawing my own lines in the sand...

Last night I listened to a guy who has been down most of the same rabbit holes I have, talking about a bunch of them, and was surprised to realise that I've been deliberately drawing lines in the sand for some subjects myself. Sort of like a normie!

I don't disagree with most of what he said, because I know there is a strong basis to support it all, and he had clearly done the research. But if I constantly hold all those beliefs as certainties, it is going to mess my headspace up even more than I already have done.

One of my coping mechanisms is to say "yes I do think evil globalist powers are attempting to take over the entire world, with a specific plan to kill most of us and enslave the remainder" while at the same time saying "their plans (including Agenda 2030) are deeply flawed, and while they are very cunning, they are also deeply degenerate, and that will lead to their own downfall".

Much as I wish I had some sort of practical plan to defeat evil and create a better world, the truth is we are all at our own levels in this giant game, and while I have a pretty good track record with all this conspiracy stuff, if I don't hold some degree of positivity in mind, I'm not strong enough to deal with it all.

Yes, I think we are in deep shit and we have less than five years to turn this globalist plan around. And no, I don't think most normies are ever going to learn or resist anything.

But at the same time I can see that in order to defeat them it is essential that we first hold in mind that defeating them is actually possible. It's a difficult balancing act, but we can do it. 

Why are we being constantly spoon fed "end is nigh" programing, not just from the mainstream media, but possibly even more so by the so called "alternative" media? 

My feeling at this point is that personally I've been out of balance, too focused on how bad things are getting, and not seeing enough possibilities. So my best plan today is switch to a more positive focus. Writing this blog post is my first step. 

Monday, 13 October 2025

THAT WAS BIGTIME



It is increasingly looking like the crypto crash on Friday was one of the biggest financial heists ever pulled off.

The markets dropped by around US$20 billion in less than one day, and insider traders such as Blackrock essentially stole at least half of that, primarily from retail investors.


Donald Trump was certainly playing a front-line role in this massive financial crime, but big exchanges like Binance were a huge part of it as well. 


As expected, despite the scale of this crime being absolutely massive, the controlled internet is covering up what just happened very well, and is still at this stage managing to convince most people that all this was all just a bunch of random coincidences. 

Here is a new video from "Crossing the Rubicon" that covers it all very well: 
https://www.youtube.com/watch?v=F4jAE4d88x0&t=301s

It will be interesting to see if the massive scope of this crime, clearly carried out by the US government under the control of their globalist controllers, is widely exposed, or swept under the rug. 

Sunday, 12 October 2025

A HARD CRASH


The crypto crash on Friday was quite spectacular. Trump's handlers (Blackrock) roll out their orange puppet when they really want to shake up the markets.


The previous biggest crypto crash of all time took place in 2021, and it was a drop in market value of US$1.5 billion in 24 hours. This crash was approximately US$19 billion in 2 hours, so more than 10x the size in just 1/12 of the time.

Blackrock are manipulating the markets constantly,  which they can do easily because they own such a massive slice of cryptos that they can buy and sell large enough chunks of any coin they want to trade, and pretty much control the prices.

But every once in a while they want to really shake things up fast, and one of their tactics is to roll out Captain Chump for some WWF style theatrics. For the second time this year he did the "massive tariffs on China" call. It worked pretty well last time, but this time was even more spectacular.

And for their next shakeup they will probably use a variation of the "WW3" story again, because that is an old favourite that never seems to run out of steam.

As well as making all the usual gradual market gains from their manipulations, on Friday Trump/Blackrock raked in billions of dollars of rapid gains. This 12 minute video explains what has just taken place:  

https://www.youtube.com/watch?v=oAHslPspqoY


 

 

 

 

 

Thursday, 9 October 2025

THERE ARE DOUBLES

In American politics how many actors are playing each roll?

There are at least two Donald's and two Melania's - but that is standard, they always have multiple actors playing all the key rolls - sometimes, as with Biden, there are more than 4...


If Donald is 6'4" how tall is Melania? Sometimes "she" is taller than "him" but sometimes "she" isn't...Odd...

 

Thursday, 2 October 2025

BAFFLING

 If the people who pushed "vaccinations" during the covidhoax were now regularly dropping dead from heart attacks, or dying slowly from cancer, would anyone notice or make the connection?

Nigel Latta died of cancer two days ago, aged 58. Throughout the covidhoax he was pushing the death jabs heavily on TV. "Doctors" will undoubtedly be baffled as to why injecting poisons into anyone would lead to cancer, so won't make any connections here... 

 
"Psychologist Nigel Latta has weighed in on the psychology behind the anti-vaccination campaign as a measles outbreak takes hold in Christchurch. Parents of unvaccinated children are being urged to keep them out of school, so they don't spread the disease.
 
TVNZ1's Seven Sharp asked Latta why do people jump on board the anti-vax hysteria?
"If it was just about facts everyone would vaccinate their children, because if your child catches measles they have a one in 1000 chance of dying from it.
"However, if they have a vaccine there is a one in one million chance of having a serious reaction to the vaccine and dying," Mr Latta said.

He then went on to say the anti-vaxers are good at creating "fear" on social media and normally rationale people buy into the idea. 

 

"Our brains have an emotional reaction to stuff first, and people will say it either feels right or I don't have a good feeling about vaccinations. 

 

"It shouldn't be about feelings it should be about the numbers, the numbers overwhelmingly say that you should vaccinate your children," Mr Latta said. 

 

On the situation in Christchurch, Latta says there are people putting their own children and others at risk by not getting their kids vaccinated and letting them go to school.

He likened anti-vax campaigners to being as legitimate as those at the Flat Earth Society.


Fourteen thousand does of the measles, mumps and rubella (MMR) vaccine are now being distributed to Christchurch general practices as the number of confirmed cases of measles has risen to 28 nearly three weeks after the outbreak began."


Wednesday, 1 October 2025

HAPPY NEW MONTH

Today is the first day of a new month. At least it is here in New Zealand, but we lead the world in that sort of thing and a lot of you may have to wait another day to catch up. 

That dawning sense of anticipation used to feel like a monthly treat, but this year everything seems to have sped up and new months are almost a weekly event.

  
One of my hobbies is digging into rabbit holes, and there have been no shortage of those to look at lately. Usually I'm all keen to do blog posts about all the fake stories I uncover, but I'm holding back a bit at the moment.

Last month there were some spectacularly obvious psyops like the Charlie Kirk fake shooting which rivaled last year's Donald Trumps ear shooting for being one of the all time stupidest looking psyops ever to come out of America, land of the bad psyop.

I usually sort of enjoy pointing out what a bunch of gullible retards other people are, but I'm not so keen on the sinking feeling of a slow dawning realisation of having believed a story hook line and sinker that is increasingly looking to be at least partially fake.

As of today I'm not even going to mention the two narratives I'm currently looking into, partly because I still need to do more research, and partly because discussing them publicly could well be quite unproductive.

And yes, it's also because I just don't really want to admit I may have been suckered. I'm not yet sure of the full extent of the deceptions, these are both fairly complex, and to me at least, they always seemed pretty convincing. 

Both stories go back more than a decade, I have long been engaged with them myself, and until this year I mostly believed them hook line and sinker.

As usual there is big money involved, and with one of them that includes some of my own. So I'm going to shut my face for now and just say this: very few things are as they seem, and it is highly unlikely that any of us are not being played to some extent.

So we really can't base our happiness on the illusion that we are too smart to be conned, can we?

 

Monday, 29 September 2025

ZOOM IN

 Just about everything we are being shown in the "media" is fake - that is nothing new, but the extent of the fakeness is becoming a running joke. And by "media" I don't just mean the "mainstream media" - the "alternative media" is mostly utter crap as well.

This is just the first crowd picture that came up in a quick search - Mexico in 2023 - all these pictures of crowds look impressive at a glance, but try having a closer look and they could be anything... 

We are being bombarded with stories of massive protests at the moment. But many of the protests that we are being shown at the moment are fake - they are using CGI for most of those huge crowd shots. 

Like AI, the use of CGI is constant now, but hardly anyone ever checks. Photos of huge crowds, fires, wars, bombings, & just about everything else that is being reported are constantly being faked using CGI. And it's not even good CGI, most of it is rubbish, try zooming in!