Jewish control of the music industry
People want to believe that there are
rock’n’roll rebels who speak for us and stand up for our rights, like
they supposedly did in the 1960’s. Therefore, the music industry must be
the oasis in the vast desert where corruption, greed and power
otherwise rules.
But there was no true rock’n’roll revolution, only a controlled one. The top Illuminati in this dimension of reality are Khazar Jews and Zionists.
They are the ones, whom by following their Sacred Scripture, the
Talmud, have put themselves in power over the rest of us by controlling
the money and Big Business and decided to reduce the world population
down to approximately 500,000,000 .
To be able to do this, they have to use different means, like keeping the world at war at any cost, create (fictional) deadly viruses like HIV and Ebola, control the weather so they can create earthquakes, tornadoes etc. at will, cause cancer with toxic "vaccines" and more…
And they also have to have a plan after they have
killed off most of us, so the surviving population can be easily
controlled. This is done by feeding us with propaganda 24 hours/day. You
can’t get away from it, unless you build a cabin in the woods and live
without electricity and connection with the rest of the society
So let us think about it. If you were them, what
would you think would be the most valuable industries to control in
order to brainwash the world as a whole, besides controlling the banks
and the money flow? Well, that would be the Media, wouldn’t it? And with
Media I mean not only the TV News and the newspapers. With Media I also
mean the movie industry, the art industry and the music industry. With
other words; every media that can reach millions of people at once.
If the Illuminati did not think this way, they would
be very stupid, and you can blame them for a lot of things, but they are
not stupid. So therefore, we have to assume they own the music and
movie industries as well, right? At least it makes sense. And if they
own these industries, do you think they would allow true rebels to
influence the world population, unless of course, when it on occasion
suits their Agenda?
The Jewish Owned Media
So
now we have logically figured out that the art industries are owned by
the Illuminati Mafia, which consists of the Talmudic Jews and their
puppets. So far, this is only assumptions. How can we prove that the art
industry is owned by those same people?
This
is not hard to do. It only takes a few minutes of research and the
pieces come together. Take a look at the following; here below is a list
of the seven major players of the Media. And guess what? They are all
Jews.
Today,
seven Jewish Americans run the vast majority of US television networks,
the printed press, the Hollywood movie industry, the book publishing
industry, and the recording industry. Most of these industries are
bundled into huge media conglomerates run by the following seven
individuals:
Gerald Levin, CEO and Director of AOL Time Warner
Michael Eisner, Chairman and CEO of the Walt Disney Company
Edgar Bronfman, Sr., Chairman of Seagram Company Ltd [4]
Edgar Bronfman, Jr, President and CEO of Seagram Company Ltd and head of Universal Studios [4]
Sumner Redstone, Chairman and CEO of Viacom, Inc
Dennis Dammerman, Vice Chairman of General Electric
Peter Chernin, President and Co-COO of News Corporation Limited
Those seven Jewish men collectively control ABC, NBC, CBS, the Turner
Broadcasting System, CNN, MTV, Universal Studios, MCA Records, Geffen
Records, DGC Records, GRP Records, Rising Tide Records, Curb/Universal
Records, and Interscope Records.
Quite
a few larger Independent Newspapers are owned by Jewish interests as
well. An example is media mogul Samuel I. “Si” Newhouse, who owns two
dozen daily newspapers from Staten Island to Oregon, plus the Sunday
supplement Parade; the Conde Nast collection of magazines, including
Vogue, The New Yorker, Vanity Fair, Allure, GQ, and Self; the publishing
firms of Random House, Knopf, Crown, and Ballantine, among other
imprints; and cable franchises with over one million subscribers.”
If Michael Eisner could depart Disney
tomorrow, the company will remain in the hands of Shamrock Holdings,
whose principal office is now located in Israel”.
The Entertainment Industry – Dominated by Jews
Now we know for a fact that the major
Entertainment Industries, the ones that count, are owned by Jews,
exclusively, but it doesn’t stop there.
The
Entertainment Industry (which I from hereon out for simplicity will
call the Industry, and by that I mean the Mainstream Media, the Movie
Industry, the Music Industry and the Art Industry, if not otherwise
specified) seems to favor Jewish artists, producers and managers. Behind
most successful rock- or movie star is a Jew, and a large percentage of
artists are Jewish as well. [7]
This is particularly interesting if we ponder that the Jewish world
population is just a fragment of the population as a whole. According to
a Jewish website, Judaism 101, there are approximately 13-14 million Jews in the world, compared to a world population of around 6 billion souls.
As we can see if we go to Answers.com, concentrating only on American musicians, many of the most influential musicians in modern history have been Jewish:
Elvis Presley
Lou Reed
David Lee Roth
Alice Cooper
Neil Sedaka
Paul Simon
Art Garfunkel
Barbara Streisand
Jeff Beck
Tiny Tim
Michael Bolton
Eric Carmen
Sammy Davis, Jr.
Neil Diamond
Bob Dylan
Leonard Cohen
Ramblin’ Jack Elliott
Arlo Guthrie
Billy Joel
Carol King
Barry Manilow
Bette Midler
Phil Ochs
Joe McDonald (Country Joe & the Fish)
Robbie Krieger (The Doors)
Max Weinberg (Bruce Springsteen’s E-Street Band)
Roy Bittan (Bruce Springsteen’s E-Street Band)
Slash (Guns & Roses)
Gene Simmons and Paul Stanley (KISS)
Cass Elliot ( The Mamas and the Papas)
Leslie West (Mountain)
Mike Bloomfield (Paul Butterfield Band and guitarist for Bob Dylan)
Peter Yarrow (Peter, Paul & Mary)
Joey Ramone (The Ramones)
Jakob Dylan (The Wallflowers)
Phil Spector
Allen Ginsberg
Marc Knopfler (Dire Straits)
Marc Bolan (T-Rex)
Manfred Mann
Donovan P. Leitch (Donovan)
Burt Bacharach
Leon Russell
This is just the tip of
the iceberg; the list goes on and on. Then if you include classical
musicians, jazz musicians and film producers, the list will be very
long. To further prove my point, here is a statement from Leonard
Bernstein’s (world leading Jewish conductor) biographer, Joan Peyser:
“The more one knows about Bernstein, the more
complicated the portrait is of him as a Jew. Capable of working
productively with anti-Semites, he still holds a soft spot in his heart
for fellow Jews, whom he says he finds superior to all others. ‘He is so
adamant about music being Jewish,’ [conductor and composer Gunther
Schuller says]. ‘It is important to him that a composer is a Jew, that a
performer is a Jew. He told me that Triplum, my composition, has a
Jewish soul. That is meant as a compliment. I am not a Jew. When Lenny
says, ‘You can almost be Jewish,’ that is considered by him to be one of
the most supreme of compliments.'” [PEYSER, J., 1987, p. 409] [8]
Jazz Music
Jazz music in particular
was dominated by Jewish artists to the extent that almost all famous
jazz musicians of its time were Jews. The Jewish Tin Pan Alley monopoly
of the music business was solid for decades. As H.F. Mooney notes:
“By 1941, the virtual monopoly of the ASCAP (American
Society of Composers Authors, and Publishers, organized in 1914), which
had practically protected New York’s ascendancy in the music market,
was broken by legal judgment. The consequent opening of broadcasting and
recording channels to non-ASCAP composers and publishers, many of them
unknowns outside the conventional musical establishment of Tin Pan Alley
… marked the end of an era of increasingly urbane New York composers.
These had been heavily Jewish … Such New York Jews as Harold Arlen,
George and Ira Gershwin, Jerome Kern, Vernon Duke (ne Dukelsky), Herman
Hupfeld and Vincent Youmans had produced a pensive music of finesse and
polish, often using minor strains in the cantorial tradition.
Their
melodic concepts influenced ‘white’ jazz instrumentalists — themselves
frequently Jewish — flowing with increasing facility through plaintive
but delicately restrained saxophones from Benny Kreuger in the early
1920s through Frank Trumbaujer to Stan Getz; and through the arabesque
clarinets of Benny Goodman and Artie Shaw.” [MOONEY, H. F., 1972, p p.
258-259] [9]
Jews were also prominent
in the overseeing of the Black community’s jazz life, including the
control of musical clubs in Black neighborhoods in a variety of American
cities. “The invasion of the Black community by organized crime lords
with connections to downtown money,” notes Ted Vincent, “was certainly
the most sensational contribution to the loss of Black oversight of
neighborhood dance halls and theatres.” [VINCENT, p. 176] [10]
In addition, we have the
“closet Jews”, meaning those who have changed their names to hide their
Jewish origins for different reasons. However, if the last name does not
appear to be Jewish, the first name may be a clue; names such as David,
Jakob, Samuel, Joseph etc. It is not that Jewish artists are a majority
in the Industry, but there is an overwhelming number of them in top
positions, where they can influence an enormous amount of people, and
those who are not Jewish have to adjust to Jewish laws and regulations,
and also be prepared to be screwed, as we shall see.
Jewish Origins of Rock’n’Roll and Rhythm & Blues
And rock and roll? The Jewish foundation
continued. “The most famous and important [rhythm and blues disc
jockey],” note Steve Chapple and Reebee Garofalo, “was … Alan Freed, the
father of Rock ‘n’ Roll … Freed was credited with co-writing fifteen
rock and roll hits including Chuck Berry’s ‘Maybelline,’ but he did
little more than promote any of them.” [CHAPPLE, p. 56-57] A biography
of Freed notes that “by 1956, there was no bigger name in rock and roll
than Freed, except Elvis Presley [who was Jewish as well, editor’s note].” [JACKSON, p. ix] (Another of America’s best known early disc jockeys was also Jewish, Murray the K, aka Murray Kaufman). [10]
As Syd Nathan, the owner
of King Records, once said, “You want to be in the record business? The
first thing you learn is that everyone is a liar.” [WADE, p. 60] “The
early rhythm and blues companies were run by a fraternity of Jews … They
were tough and they were shrewd — some say unscrupulous — and they were
alternately loved, despised, respected, and feared. The deep bond of
these cultural outsiders prompted one gentile, mild rebuke in his voice,
to comment that ‘Yiddish was the second language of the record
business.” [COHODAS, N., p. 3-4, 2000] [10]
There are a number of
artists who have been cheated by greedy Jewish Record Companies, owned
by Jewish businessmen. Many of those victims have been black, but far
from everybody. A few examples of musicians whom have been ripped off by
the Jewish Music Industry where some of them filed lawsuits are: Little
Richard, Chuck Berry, Howlin’ Wolf, Muddy Waters, Willie Dixon and Bo
Diddley. The Rolling Stones once sued their Jewish manager, Allen Klein
for $29 million. [SANDFORD, p. 164] Christopher Sandford notes that “By
midsummer [Rolling Stones singer Mick] Jagger was unable to mention his
manager’s name [Klein] calmly. Later he gave an interview in which he
stated, ‘Half the money I’ve made has been stolen. Most artists in show
business suffer the same kind of thing… It’s all the hangers-on and
parasites. There are very few honest people in the profession.”
[SANDFORD, p. 139]
But the Talmud says very distinctly that
for a Jew, it is absolutely fine to cheat and lie to a goy (non-Jew) and
that you don’t have to pay him wages owed him for work. Here are some
passages from this lovely book, which states that Jews are human and
non-Jews are not. Non-Jews are nothing but cattle and should be treated
as such:
O.K. to Cheat Non-Jews. A Jew need not pay a Gentile (“Cuthean”, which means a non-Jew) the wages owed him for work
– Sanhedrin 57a
“Jews always have to try to deceive Non-Jews”
– Zohar I, 168a
“Every Jew is allowed to use lies and perjury to bring a Non-Jew to ruin”
– Babba Kama 113a
Folk Music in the 60’s
Moving to the Folk Music
era of the 1960s, we see that this too was totally Jew dominated. Israel
Young ran the Folklore Center in New York’s Greenwich Village in the
1960s. Fred Weintraub owned the well-known Bitter End nightclub. Manny
Roth ran Cafe Wha?. Among the prominent Jewish folksingers of the era
were Bob Dylan, Phil Ochs, Jack Elliott, Peter Yarrow (of Peter, Paul,
and Mary), David Blue (Cohen), and two (Fred Hellerman and Ronnie
Gilbert) of the four Weavers. Ballad singer Leonard Cohen had a
grandfather who was the first president of the Canadian Jewish Congress.
Moe Asch (whose father, Sholem, was “the most widely read Yiddish
writer of the twentieth century”) [GOLDSMITH, P., p. 1] headed Folkway
Records, the label that released recordings by Woody Guthrie, Pete
Seeger (manager: Harold Levanthal), Doc Watson, Black blues artist
Leadbelly, Josh White, Black poet Langston Hughes, and ethnic performers
from around the world. (Woody Guthrie’s wife, Marjorie Gleenblatt
Mazia, was Jewish, and their child, Cathy Ann, was “raised as a Jew.”
[POLLAK, O, p. 12])
Guthrie even lived with Marjorie in a
Jewish neighborhood in Coney Island. Asch got into the recording
business with a connection to David Sarnoff, the eventual head of
NBC-RCA. [GOLDSMITH, P., p. 60] A later version of Folkways was
Verve/Folkways, which featured Tim Hardin, Richard Havens, and Jewish
artists Laura Nyro and Janis Ian. (Nyro’s original name was Nigro, and
her name was changed for fear that people might call her “Negro.”)
[KING, T., 2000, p. 73]
Bob Dylan is a
full-blooded Jew; both his parents were Jewish, and his real name is
Robert Zimmerman. The manager who can take most credit for making Dylan
known is probably the Jew Albert Grossman, a ruthless businessman with bad reputation. He later became the owner of Bearsville Records. [12]
Grossman helped George Wein [Jew] organize the first Newport Folk
Festival, in 1959, a festival which became big in folk music.
It is interesting to see
how Bob Dylan surrounds himself with Jewish friends and musicians, such
as Allen Ginsberg, Mike Bloomfield, Tiny Tim and Robbie Robertson to
name a few. He even nominated Ginsberg to being the greatest poet ever,
and has often praised Jewish artists and musicians before non-Jews. The
Talmud says it is perfectly okay to cheat and play around with goyim
(non-Jews) and rip them off. Dylan is no exception. He stole, cheated
and betrayed wherever he could in the beginning of his career to reach
the fame he so obsessively desired. He used famous musicians like Joan
Baez to boost his career, even had a love affair with her, and then when
he didn’t need her anymore, in Talmudic Jewish manner, he abandoned her
and married a Jewish woman, Sara Lowndes. Moreover, he stole songs and
ideas from other musicians and recorded them as his own. Examples are
“Blowing in the Wind”, the special version he recorded of the
traditional song “House of the Rising Sun” and “Baby Let Me Follow You
Down”. He also borrowed a whole record collection from a person to use
as inspiration, without giving it back. Not until the owner, together
with a big guy knocked on Dylan’s door to get the record collection
back, Dylan returned it, avoiding to get beaten up by smooth talking the
tough guy. [13]
Early in Dylan’s career,
“when a girlfriend’s mother challenged his lies and said she thought
Zimmerman was his real name, he called her an anti-Semite, as if a mere
description of the truth was bigotry.” [RUBIN, p. 94] Dylan, who early
in his career hid his Jewish past and made up various lies (he was from
Oklahoma, etc.) about his background, nonetheless joined the Jewish
fraternity house at the University of Minnesota in 1959, Sigma Alpha Mu.
[SCADUTO, p. 26] After becoming rich and famous singing about social
justice, in the 1980s, “Dylantologist” A. J. Weberman declared that the
famous singer “is an ultra-Zionist. He is doing the tour to raise money
for Israel. He has given large sums of money to Israel in the name of
Abraham Zimmerman.” [SPITZ, p. 430]
Newsweek and Time each
reported that Dylan had indeed donated sums to the Jewish state, and
even the far right-wing Jewish Defense League. [SPITZ, p. 407] A
biographer, Anthony Scaduto, noted earlier, in 1971, “At this writing,
Dylan’s search for personal salvation seems to be coming around full
circle, back to the religion of his fathers. Bob has started to study
Judaism, and Hebrew. Dylan, who gets so Gemini-enthused about
everything, has made several trips to Israel in the last year to ‘sniff
the breeze’ as his friends put it. He has reportedly donated some of his
funds to help support at least one kibbutz there. Folksinger Theo Bikel
[also Jewish, and a Zionist activist] adds: ‘Dylan has told me that
Israel appears to be one of the few places left in the world where life
has any meaning.’ He has even attended several meetings of the militant
Jewish Defense League. The JDL’s head, Meir Kahane, [charged by many,
including Jews, as a racist and fascist] will say only that Dylan has
‘come around a couple times to see what we’re all about’ and has
promised to donate money to the organization. Dylan refuses to discuss
it.” [SCADTO, p. 274]
Another Jewish entrepreneur, Maynard
Solomon, headed another prominent folk-oriented record label, Vanguard,
which featured Joan Baez, Buffy St. Marie, Eric Anderson, among others.
Another folk label in Chicago, Flying Fish, was founded by Bruce Kaplan.
Jewish popular musical performers are many and varied, including the Beastie Boys
(“widely castigated for glorifying sex and violence”) [ANDERSON, 1991,
p. 173], Bette Midler, Billy Joel, Barry Manilow, Randy Newman, Carly
Simon (one of the heirs to the Simon-Schuster publishing house fortune),
Helen Reddy, Lesley Gore, David Lee Roth of Van Halen, Lou (“Take a Walk on the Wild Side”) Reed,
[BELL, I., 6-1-93, p. 12] and Mountain’s Leslie [Weinstein] West.
Donald Fagen co-founded Steely Dan. Marty Friedman of Megadeth is
Jewish, as is Peter Green of Fleetwood Mac, Marty Balin of Jefferson
Airplane, Marc Knopfler of Dire Straits, Paul Stanley (Stanley Eisen)
and Gene Simmons (born Chaim Whitz in Haifa, Israel) of Kiss, Perry Farrell (Perry Bernstein; son of a diamond dealer) of Jane’s Addiction,
Kevin Dubrow (lead singer of Quiet Riot), Slash of Guns ‘n Roses, Geddy
Lee (of Rush — born Gar Lee Weinrib), Eric Bloom (lead singer of Blue
Oyster Cult), Robbie Robertson, Warren Zevon, Jeff Beck, Mick Jones (of the Clash),
Gavin Rossdale (head of Bush), Jay (Blatt) and the Americans, Marc
Bolan of T-Rex, Manfred Mann (Lubowitz), Norman Greenbaum, Phranc (a
Jewish lesbian folksinger), and Howard Kaylan and Mark Volman of the
Turtles. And on and on. Jewish interest in the subject notes that
ukelele-rooted Tiny Tim’s mother was Jewish, Donovan’s mother was
Jewish, Cyndi Lauper’s father is Jewish, Country Joe MacDonald’s mother
is Jewish, Twisted Sister’s Dee Snider’s father was Jewish and on and
on. [JEWHOO, 2000; BOUCHER, G., 4-17-01, p. 62; TAYLOR, L., 12-27-00, p.
F5]] Even the 1998 “Eurovision Song Contest winner” — featuring an
event watched by 100 million people in 33 countries — was Israeli
transsexual Dana International, born Yaran Cohen).
Not Jewish? Want to make it in the music business? Enhance your chances by learning Yiddish:
“Even gentiles learned to salt their
language with pinches of Yiddish, the industry’s vernacular. Courtney
Love, not long before her own major label debut at Geffen Records, began
boning up with the help of Leo Rosten’s The Joys of Yiddish. ‘I’m going
to blow the minds of all those shemedricks at the record company,’
Courtney said. She would even sometimes refer to her dispute with Kat
[of the all-female band Babes in Toyland] over who was the first to wear
a baby-doll dress onstage as ‘that shmatte’ controversy.'” [KARLEN, N.,
1994, p. 146]
More Jews: The magazine “Bible” of rock and roll music, Rolling Stone, was founded by Jewish entrepreneur Jann Wenner. Wenner is also “the single most important person behind” Cleveland’s Rock and Roll Hall of Fame and Museum. [HINCKLEY, D., p. 9] Joel Siegel, later prominent as a film critic, was also “TV’s first rock and roll reporter.” [SLEWINSKI, C., 3-23-99, p. 102]
“To my surprise,” writes Jewish author Michael Billig,
“song after well-known pop song, revealed itself to ‘Jewish music,’
from [Elvis] Presley to the soft sounds of the Drifters to [producer] Phil Spector.
So much of the rebellion-music which I had loved in my youth and which
seemed to be a window to a foreign, dangerous world, turned out to be a
product of familiar surroundings. Surprise was mixed with delight.”
[ARNOT, C., 10-4-2000, p. 6]
The Jews Behind The Beatles
What about the Beatles,
the Liverpool group who changed the world with their music? Oh yes, they
had close Jewish connections as well. Brian Epstein, their
agent/manager and Sid Bernstein, their promoter, were both Jewish.
Brian [Epstein] signed over to Dick James [a
music publisher] 50 percent of Lennon and McCartney’s publishing fees
for nothing. It made him wealthy beyond imagination in eighteen months.”
[BROWN/GAINES, 1983, p. 186] After Epstein‘s death, in 1969 James sold the rights to the Beatles songs from under them. “It was the single most contentious deal arising from the Epstein–James era.
“The Beatles were angry at what they regarded as betrayal.” [COLEMAN,
p. 306] Marc Elliot notes that James sold “his interest in Northern
Songs to the notorious [British Jewish media mogul] Lew Grade, known in the film industry as Low Grade.” [ELLIOT, p. 158] Epstein also had “good communication” with Grade‘s brother, Bernard Delfont, “one of the czars of London show business.” [COLEMAN, p. 245-246]
Woodstock
The landmark 1969
Woodstock Musical Festival was the entrepreneurial investment of four
young Jews: Joel Rosenman, John Roberts (heir to a pharmaceutical
fortune), Artie Kornfeld, and Michael Lang. The person hired to pull the
whole project together was Stanley Goldstein. Mel Laurence (born Melvin
Bernard Lachs) was also the Director of Operations for the festival
creators, Woodstock Ventures. Bert Cohen, of Concert Hall Publications,
soon joined the production team for various tasks. [SPITZ, 1979] The
first employee of Woodstock ventures was Rene Levine, a bookkeeper and
another Jew, Alex Jaffee, was the company’s accountant. In a book
chapter called “Buying Off the Underground,” Joel Rosenman recalls when
he and others of the Woodstock Ventures investment team went to
Greenwich Village’s East Village Other “counterculture” newspaper to buy
them off, guaranteeing that prominent members of that anti-capitalist
community wouldn’t cause problems with the economic exploitation of the
supposedly anti-materialist Love Generation. Famed radical (and Jewish)
agitator Abbie Hoffman demanded $10,000 from Woodstock Ventures, “or
else that fucking festival you guys are planning is gonna end up around
your ass.” [ROSENMAN/ROBERTS/PILPEL, p. 102].
The disastrous 1999
Woodstock Festival was also headed by Michael Lang, and John Scher. It
ended in rioting, vandalism, injuries, arrests, and sexual crimes.
[MORSE, S., 7-27-99]
Non-Jewish musical stars, caught in the
Judeocentric web of the musical world, often support Jewish/Israeli
ethnocentric interests on behalf of their Jewish friends and managers.
Among the old Geffen stable, for example, in 2002 a news item noted that
Don Henley of the Eagles was “donating the $7,900 from the sale [of his
guitar at auction] to the Jewish Federation of Greater Dallas for use
in supporting Israel and Jewish organizations.” [TOP FORTY CHARTS,
6-12-02] That same year, the Jewish Week wondered: “What’s one of the
world’s greatest rock stars doing at a Jewish benefit dinner? The answer
came Monday night when Bono, the voice and wordsmith driving the
fabulously popular band U2, became the first rock and roll personality
to receive the Humanitarian Laureate Award from the Simon Wiesenthal
Center.” [Jewish Week, 11-22-02] (That same year, the Israeli newspaper
Ha’aretz noted that the new Wisenthal “tolerance” Center in Jerusalem
was built on a Muslim cemetery).
In the rock and roll world which is so
heavily Jewish, there are apparently different levels of what is
considered to be morally offensive, including the usual admonition: Thou
Shalt Not Offend Jews (Others, especially Christianity? — No problem).
As Leah Garchik wrote in 2002, “Marilyn Manson reveals in Rolling
Stone’s new book ‘Tattoo Nation: Portraits of Celebrity Body Art” that
Madonna’s manager, who was thinking of signing Manson, called Manson’s
manager to inquire about whether the rocker had a swastika among his
many tattoos. ‘Of course not,’ said Manson’s manager. ‘One of the guys
in the band is Jewish.’ ‘Oh, OK,’ said Madonna’s manager. ‘We don’t have
a problem with the Satanism, but we can’t deal with any kind of
Nazism.'” [GARCHIK, L., 11-7-02, p. D14]
Punk Rock
The
“godfather of punk,” manager and “mastermind” of the seminal “punk”
band — the Sex Pistols, was Great Britain’s Malcolm McLaren. He was also
the manager of the New York Dolls, Adam Ant, and Boy George. According
to Sex Pistol lead singer Johnny Rotten, his manager was “the most evil
man alive.” [HARRIS, M., 8-19-94, p. 11; SHAW, D., 12-16-99, p. 5]
McLaren “was brought up by his maternal grandmother, Mrs. Corre, a
formidable woman from a very rich Sephardic Jewish family.” [BARBER, L.,
12-22-91, p. 8] The anarchistic Sex Pistols, notes the London
Independent, were “brought into being quite cynically by Malcolm McLaren
as an advertising gimmick to promote sales of the fetishistic clothes
and other devices designed and sold by himself and Vivienne Westwood.”
[GRAHAM-DIXON, 8-19-95, p. 2] (The Ramones are also a candidate for the
most influential punk band. The head of the Ramones, Joey Ramone — born
Jeffrey Hyman — is also Jewish. ) [TAYLOR, L., 12-27-00, p. F5]
Rap Music
The Jew Howie Klein
founded the “punk” rock label 415. Joseph Heller, formerly of
Heller-Fischel, booked acts like Styx, the Electric Light Orchestra, Boz
Scaggs, and a variety of others. “He represented top-drawer rock talent
like Van Morrison, the Guess Who, Marvin Gaye, War, Elton John and Pink
Floyd.” [SNYDER, N., 2-19-01] Stretching out as dangerously as possible
to make a buck, Heller eventually gravitated towards a relative
goldmine in the Black ghetto-based “gangsta rap.” He cofounded Ruthless
Records and managed the pioneer rap group NWA (Niggaz With Attitude)
from early in their careers. The musical genre of gangsta rap, notes
Jory Farr, “thrives on misogyny, as well as homophobic and race-baiting
rage … [It] was the perfect music for [a] lifestyle loaded down … with
warnings of betrayal, murder, revenge, and a short life.” [FARR, p. 70]
“I believed that rap would become the
most important music of the nineties,” said Heller, “… [But] you can’t
sell two million rap records to kids in the inner city. That’s a way to
sell 200,000. You have to market it to the white kids.” [FARR, p. 68,
71] Heller hired Ira Selsky as his corporate attorney and an
Israeli-born security chief named Michael Klein to ward off angry,
exploited Blacks who quite literally walked into his office threatening
to kill him. Rap star Ice Cube even threatened Heller in one of his
recorded songs, prompting the Anti-Defamation League to flag it as
anti-Semitic. Ruthless Records released a Jewish rap duo called Blood of
Abraham. As Chuck D, the lead vocalist for the Black rap group Public
Enemy, noted, “There’s no way to get trained on the seamier elements of
the music business being on the street — that element is reserved for
boardrooms.” [D, CHUCK, p. 85] Those in Chuck D’s reminiscences about
“boardroom” behavior include Lyor Cohen (manager of Rush Productions,
and an Israeli); Al Teller, an executive at MCA whose parents died in
the Holocaust; Steve Ralbovsky of CBS; Bill Adler (a publicist); and
Rick Rubin of Def Jam Records. (Jewish diamond dealer Jacob Arabo has
made the news as a favored jewelry merchant to the Black rap crowd that
seeks to symbolize wealth and power, or, as the New York Times put it,
“the jeweler who gives most of today’s leading rappers their shine.”
[CENTURY, p. 1]
So What Does This All Mean?
If you have followed me
and read this article so far, at least you must have asked yourself why
there are so many Jews in power within the Industry. It can’t be a
coincidence. Is it just that Jews are better businessmen than us
‘goyim’? This is what we hear over and over as an explanation to why
there are so many Jews in charge of big Businesses. We learn that it is
in their blood, and that it is nothing wrong with that.
It is in their blood,
alright, that’s for sure. It would all be fine and dandy if these
business-minded people played it fair. So why are these Jews in high
position (and even ordinary Jewish musicians in some cases) so
unreliable, unethical and immoral?
I guess we have already
answered that question to some extent. They ARE business-minded and they
follow the Talmud! They believe it’s God’s will that they act like this
and treat the rest of us like cattle. But which God? Most Jews believe
their God is Jehovah, like it says in the Torah (the Old Testament). But
that is just the every-day Jew on the street. Like any secret society,
Judaism is no exception; you only know what you need to know. If you
want to get a clue to who the REAL God in Judaism is, maybe Harold
Wallace Rosenthal, a Talmudic Jew, can give you some answers. In the
1970’s, Rosenthal was interviewed by Walter White Jr., and when the
interview was over, Mr. White was shaken and nauseated due to what he
had just heard Mr. Rosenthal confesses without any remorse. You can read the whole article here,
but I warn you – it is very disturbing reading. However, to you whom
already know that these people are using the Talmud in their daily life,
this doesn’t come as too much of a surprise, although EVERYBODY should
read “The Rosenthal Interview”, nonetheless.
You will hear Mr.
Rosenthal say that what the average Jew doesn’t know is that the God in
Judaism is Lucifer, and that the Jews are Lucifer’s chosen people. Then,
on a deeper level, of course, we can discuss who Lucifer really is, but
that is subject to other articles, already posted elsewhere on my
website.
Anyway, if we agree to
that this world is run by a secret organization that we for simplicity
call the Illuminati, and there is overwhelming evidence for that, then
we know that these people do everything they can to control business,
politics, education and entertainment. That is the easiest way to
streamline the masses into thinking in certain directions that they want
us to think. So to be able to find out who is controlling us, we just
follow the money and look at who is running things. To our amazement, we
find out that this world is run by Talmudic Jews, whom do everything
they can to create a slave society with them in charge over us, the
cattle.
Does this sound
anti-Semitic? For those who don’t know better and are still buying into
the Programming, it might, but if we look a little deeper, two things
come to show:
1. There is clear evidence that Jews are running the show, and the truth is the truth. Call it anti-Semitic if you like.
2. The Jews we are talking about are not even
Semites! They are all descending from the old Khazar tribes and have
nothing to do with the OT Jews and “God’s chosen people”. The Semites
are, according to the highly authoritative Oxford Universal Dictionary,
1944 (p. 1838) the people belonging to the race of mankind which
includes most of the peoples mentioned in Genesis 10 as descended from
Shem, son of Noah, as the Arabs, Hebrews, Assyrians and Arameans, and
speaking a Semitic language as their native tongue.
Most people would answer the question whether the modern Jew is of
Hebrew or Semitic origin with a clear “yes”! Wrong! Most Jews in modern
society have nothing to do with the ancient Hebrews of biblical times.
For decades we never thought of even questioning the basic assumption
that the modern day Jew is a Semite. [14]
So why do you think that
the Anti Defamation League (ADL) and other “Jewish Protection
Organizations” go berserk as soon as anybody mentions the word Jew in a
negative context? Is there ANY word in ANY language that is more charged
than the word Jew? I don’t know, I haven’t researched that, but
wouldn’t be surprised if the answer is ‘no’. And by common sense, where
you get the most attacks and most resistance is where the ‘secrets
dwell’. Here is something they really want to hide, and they do it by
calling those whom are about to find out the truth anti-Semitic. The
truth is that the real anti-Semites are the Jews themselves, because
they are attacking such people as the Arabs all the time – the real
Semites as we saw earlier.
How the Music Industry Works
The way the Industry works has been covered by me in previous articles, like “Mind Control in the Field of Art” and I highly recommend that you read it, and also all other articles I have posted in the “I Sold My Soul to Rock’n’Roll and Mind Control”
section of my website. For you who doubted me may now be able to
restudy this section with new eyes, and perhaps you will find that it
makes more sense.
I will not repeat myself
here, due to that I have covered this subject in details in the above
articles, but rely on that you do your own further research there and
elsewhere too for that matter.
In Summary
There is no doubt that
the Entertainment Industries are run by the Illuminati Talmudic Jews and
that their Agenda is clear. The Industries are run by criminals with
two main purposes in mind:
1. To make lots of money with whatever methods available. Nothing is holy and murder is accepted, if necessary.
2. To manipulate people into accepting the New World
Order and a One World Government. This is done in different overt and
covert ways, also covered in the above sections of my website as
mentioned under “How the Music Industry Works” here above. Only artists
they can control will be promoted and accepted, or artists that they can
make a big buck out of and later conform or waste. If dropping them
makes them “talk”, or if a ‘bad situation’ is eminent, there is always
‘other means’ to take care of the uncomfortable situation (read John
Lennon and 2PAK).
This entire post was by Wes Penre and is a shameless copy & paste.
www.illuminati-news.com/Articles/42
