A bunch of wisdom from punters who knew their shit
SIFT TOP 5 MOST POPULAR BLOG POSTS THIS WEEK - Scroll down to see the latest posts
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Less than one month on from having a complete break fro m blogging for the entire month of May, I really wasn't expecting to be saying a...
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Five years ago I did this blog post - with the benefit of hindsight, I'd say all of it was spot on, but the thing I failed to predict wa...
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Three things about women's bicycle racing I never knew: 1. There were women's bicycle races in 1900 2. There were women's bicy...
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This is an update of a post I originally did in February. As things worked out, Pinterest didn't back off their woke censors...
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Something is just not right about feminists... They all look like men to me. That is really pretty hilarious, and it certainly follows th...
Friday, 15 March 2024
Wednesday, 13 March 2024
CHARLES DARWIN WAS A FICTIONAL CHARACTER
The Charles Darwin scam is really entertaining - I was up to speed with him having plagiarized all his works, but didn't realise his entire trip was a work of fiction. The same pattern repeats yet again - all our history is fictional.
Tuesday, 12 March 2024
HAVE THE GLOBALIST SCUM OVERPLAYED THEIR HANDS?
This is not one of those rhetorical questions where I immediately answer "Yes, obviously they have overplayed their hands because every last thing they say or do is utter bullshit, and it's so glaringly obvious that nobody will believe it". Yes, it's certainly true that everything they say is bullshit, but at the same time a large part of the population are either mind controlled or retarded, or both, to such an extent that it doesn't seem to matter how obvious the bullshit is, they will believe whatever they are told.
Which brings me to my next question - if they do roll out covidhoax round two, is it tactically better for us go hard out?. Last time, when asked where my mask was, I would say I had an exemption, but if this crap ever happens again I won't being doing anything as subservient as that.
It will be more a question of do I reply "I don't wear muzzles" or something aggressive like "Fuck off numbnuts" There are two opposing viewpoints on this, as with everything. They, the globalist scum, clearly aim to divide society, and getting us all in a constant state of war with each other helps with that. So should we take that into account and behave in a more zen like fashion?
Opposed to that line of thinking, is the fact that most of the submissive gimps who did what they were told last time, are spineless and will crack if put under intense and unwavering personal pressure. And like many people I'm wondering if it would have been better to tell more of them to get fucked last time. Does each step towards subservience bring us closer to enslavement? I'm inclined to think that if it happens again, there will be a bit of both, but if any fucker asks where my mask is, I may be a powder keg waiting to explode and bets are off how things will go.
The globalist scum are cunning, but they are always trying to out deceive each other. And that will hopefully lead to their demise. I'm picking whatever the next round is, it will be more heated that the last one. But we have an excellent opportunity right now to expose centuries of deceptions, so this could be a wild time. Let's do this.
Thankfully, this clown is dead now, but there are plenty more where he came from
Monday, 11 March 2024
THIS MUSIC VIDEO HAS BEEN A BIG INFLUENCE
This music video has probably been influencing my art for 32 years
Back in the 90’s there was awesome music. I miss all that amazing music!
Screamadelica
https://www.youtube.com/watch?v=Y3ixEzKA4k0
There’s no overestimating the importance of Screamadelica, the record that brought acid house, techno, and rave culture crashing into the British mainstream — an impact that rivaled that of Nirvana’s Nevermind, the other 1991 release that changed rock. Prior to Screamadelica, Primal Scream were Stonesy classic rock revivalists with a penchant for Detroit rock. They retained those fascinations on Screamadelica — one listen to the Jimmy Miller-produced, Stephen Stills-rip “Movin’ on Up” proves that — but they burst everything wide open here, turning rock inside out by marrying it to a gleeful rainbow of modern dance textures. This is such a brilliant, gutsy innovative record, so unlike anything the Scream did before, that it’s little wonder that there’s been much debate behind who is actually responsible for its grooves, especially since Andrew Weatherall is credited with production with eight of the tracks, and it’s clearly in line with his work. Even if Primal Scream took credit for Weatherall’s endeavors, that doesn’t erase the fact that they shepherded this album, providing the ideas and impetus for this dubtastic, elastic, psychedelic exercise in deep house and neo-psychedelic. Like any dance music, this is tied to its era to a certain extent, but it transcends it due to its fierce imagination and how it doubles back on rock history, making the past present and vice versa. It was such a monumental step forward that Primal Scream stumbled before regaining their footing, but by that point, the innovations of Screamadelica had been absorbed by everyone from the underground to mainstream. There’s little chance that this record will be as revolutionary to first-time listeners, but after its initial spin, the genius in its construction will become apparent — and it’s that attention to detail that makes Screamadelica an album that transcends its time and influence.